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	<title>Guide &#8211; QuotidianoAudio</title>
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	<title>Guide &#8211; QuotidianoAudio</title>
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	<item>
		<title>Risposta in potenza: perché la direttività dei diffusori conta più della risposta in frequenza</title>
		<link>https://www.quotidianoaudio.it/guida/risposta-in-potenza-perche-la-direttivita-dei-diffusori-conta-piu-della-risposta-in-frequenza/</link>
		
		<dc:creator><![CDATA[Mauro Scarabotti]]></dc:creator>
		<pubDate>Wed, 19 Aug 2026 04:47:09 +0000</pubDate>
				<category><![CDATA[Guide]]></category>
		<category><![CDATA[CTA-2034A]]></category>
		<category><![CDATA[Floyd Toole]]></category>
		<category><![CDATA[Spinorama]]></category>
		<category><![CDATA[acustica architettonica]]></category>
		<category><![CDATA[acustica hi-fi]]></category>
		<category><![CDATA[diffusori cardioidi]]></category>
		<category><![CDATA[dipoli open baffle]]></category>
		<category><![CDATA[directivity mismatch]]></category>
		<category><![CDATA[direttività diffusori]]></category>
		<category><![CDATA[effetto Haas]]></category>
		<category><![CDATA[frequenza di Schroeder]]></category>
		<category><![CDATA[guida d'onda]]></category>
		<category><![CDATA[psicoacustica]]></category>
		<category><![CDATA[risposta in potenza]]></category>
		<category><![CDATA[waveguide]]></category>
		<guid isPermaLink="false">https://www.quotidianoaudio.it/?p=103286</guid>

					<description><![CDATA[Cos'è la risposta in potenza in acustica, perché lo standard CTA-2034A (Spinorama) la misura e come guide d'onda e trattamento ambientale la governano.]]></description>
		
		
		
			</item>
		<item>
		<title>Cedevolezza, massa e frequenza di risonanza: la guida definitiva all&#8217;accoppiamento braccio/testina</title>
		<link>https://www.quotidianoaudio.it/guida/cedevolezza-massa-e-frequenza-di-risonanza-la-guida-definitiva-allaccoppiamento-braccio-testina/</link>
		
		<dc:creator><![CDATA[Mauro Scarabotti]]></dc:creator>
		<pubDate>Wed, 22 Jul 2026 05:27:56 +0000</pubDate>
				<category><![CDATA[Guide]]></category>
		<category><![CDATA[MM MC]]></category>
		<category><![CDATA[QuotidianoAudio]]></category>
		<category><![CDATA[accoppiamento braccio testina]]></category>
		<category><![CDATA[alta fedeltà]]></category>
		<category><![CDATA[audio analogico]]></category>
		<category><![CDATA[audiofili]]></category>
		<category><![CDATA[braccio fonografico]]></category>
		<category><![CDATA[cedevolezza]]></category>
		<category><![CDATA[compliance]]></category>
		<category><![CDATA[cu/dyne]]></category>
		<category><![CDATA[fonorivelatore]]></category>
		<category><![CDATA[frequenza di risonanza]]></category>
		<category><![CDATA[giradischi]]></category>
		<category><![CDATA[guida tecnica]]></category>
		<category><![CDATA[hi-fi]]></category>
		<category><![CDATA[impedenza meccanica]]></category>
		<category><![CDATA[massa effettiva braccio]]></category>
		<category><![CDATA[regolazione testina]]></category>
		<category><![CDATA[setup analogico]]></category>
		<category><![CDATA[testina giradischi]]></category>
		<category><![CDATA[tracciabilità]]></category>
		<category><![CDATA[vinile]]></category>
		<guid isPermaLink="false">https://www.quotidianoaudio.it/?p=102233</guid>

					<description><![CDATA[Come accoppiare braccio e testina: cedevolezza, massa effettiva e frequenza di risonanza spiegate passo per passo, con formula, tabelle pratiche ed esempi.]]></description>
		
		
		
			</item>
		<item>
		<title>Scomparire nel suono: cosa rende «invisibile» un diffusore?</title>
		<link>https://www.quotidianoaudio.it/guida/scomparire-nel-suono-cosa-rende-invisibile-un-diffusore/</link>
		
		<dc:creator><![CDATA[Mauro Scarabotti]]></dc:creator>
		<pubDate>Sat, 18 Jul 2026 04:51:02 +0000</pubDate>
				<category><![CDATA[Guide]]></category>
		<category><![CDATA[ITD ILD]]></category>
		<category><![CDATA[LS3/5a]]></category>
		<category><![CDATA[acustica diffusori]]></category>
		<category><![CDATA[alta fedeltà]]></category>
		<category><![CDATA[baffle step]]></category>
		<category><![CDATA[coerenza temporale]]></category>
		<category><![CDATA[comb filtering]]></category>
		<category><![CDATA[crossover]]></category>
		<category><![CDATA[diffrazione]]></category>
		<category><![CDATA[diffusori che scompaiono]]></category>
		<category><![CDATA[direttività]]></category>
		<category><![CDATA[effetto Haas]]></category>
		<category><![CDATA[high end audio]]></category>
		<category><![CDATA[near-field]]></category>
		<category><![CDATA[progettazione diffusori]]></category>
		<category><![CDATA[psicoacustica]]></category>
		<category><![CDATA[risposta all'impulso]]></category>
		<category><![CDATA[sorgente puntiforme]]></category>
		<guid isPermaLink="false">https://www.quotidianoaudio.it/?p=102221</guid>

					<description><![CDATA[Perché certi diffusori «scompaiono» all’ascolto? Diffrazione, baffle step, effetto Haas, ITD e ILD: la fisica e la psicoacustica dell’immagine sonora Hi-Fi.]]></description>
		
		
		
			</item>
		<item>
		<title>Potenza di un diffusore: Watt, RMS e SPL spiegati davvero</title>
		<link>https://www.quotidianoaudio.it/news/diffusori-speakers/potenza-di-un-diffusore-watt-rms-e-spl-spiegati-davvero/</link>
		
		<dc:creator><![CDATA[Mauro Scarabotti]]></dc:creator>
		<pubDate>Wed, 01 Jul 2026 04:57:08 +0000</pubDate>
				<category><![CDATA[Guide]]></category>
		<category><![CDATA[Diffusori e Speakers]]></category>
		<category><![CDATA[MIL e MOL]]></category>
		<category><![CDATA[SPL]]></category>
		<category><![CDATA[alta fedeltà]]></category>
		<category><![CDATA[amplificatore]]></category>
		<category><![CDATA[casse acustiche]]></category>
		<category><![CDATA[clipping]]></category>
		<category><![CDATA[diffusori acustici]]></category>
		<category><![CDATA[efficienza]]></category>
		<category><![CDATA[hi-fi]]></category>
		<category><![CDATA[potenza RMS]]></category>
		<category><![CDATA[sensibilità diffusori]]></category>
		<category><![CDATA[watt PMPO]]></category>
		<guid isPermaLink="false">https://www.quotidianoaudio.it/?p=102110</guid>

					<description><![CDATA[Cosa significa davvero la potenza di un diffusore? Watt RMS, di picco e PMPO, SPL, sensibilità, efficienza, MIL e MOL: la guida Hi-Fi per non farti ingannare.]]></description>
		
		
		
			</item>
		<item>
		<title>Perché il vinile suona così bene: viaggio nella fisica del microsolco</title>
		<link>https://www.quotidianoaudio.it/news/vinili/perche-il-vinile-suona-cosi-bene-viaggio-nella-fisica-del-microsolco/</link>
		
		<dc:creator><![CDATA[Mauro Scarabotti]]></dc:creator>
		<pubDate>Sat, 27 Jun 2026 05:12:38 +0000</pubDate>
				<category><![CDATA[Guide]]></category>
		<category><![CDATA[Vinili]]></category>
		<category><![CDATA[alta fedeltà]]></category>
		<category><![CDATA[equalizzazione RIAA]]></category>
		<category><![CDATA[giradischi]]></category>
		<category><![CDATA[microsolco]]></category>
		<category><![CDATA[vinile]]></category>
		<guid isPermaLink="false">https://www.quotidianoaudio.it/?p=102091</guid>

					<description><![CDATA[Dalla guerra dei formati alla psicoacustica: come nasce un disco in vinile e perché il microsolco, tecnicamente imperfetto, conquista ancora l'orecchio.]]></description>
		
		
		
			</item>
		<item>
		<title>Come scegliere la testina del giradischi: guida pratica al cuore del suono analogico</title>
		<link>https://www.quotidianoaudio.it/news/giradischi/come-scegliere-la-testina-del-giradischi-guida-pratica-al-cuore-del-suono-analogico/</link>
		
		<dc:creator><![CDATA[Mauro Scarabotti]]></dc:creator>
		<pubDate>Sat, 20 Jun 2026 05:18:37 +0000</pubDate>
				<category><![CDATA[Guide]]></category>
		<category><![CDATA[Giradischi]]></category>
		<category><![CDATA[braccio]]></category>
		<category><![CDATA[cartucia]]></category>
		<category><![CDATA[giradischi]]></category>
		<category><![CDATA[guida]]></category>
		<category><![CDATA[hi-fi]]></category>
		<category><![CDATA[pick-up]]></category>
		<category><![CDATA[restina]]></category>
		<guid isPermaLink="false">https://www.quotidianoaudio.it/?p=102054</guid>

					<description><![CDATA[Come scegliere la testina del giradischi: differenze tra MM e MC, forma dello stilo, compatibilità con il braccio e consigli pratici di montaggio.]]></description>
		
		
		
			</item>
		<item>
		<title>Lenco: Storia, Modelli e Segreti dei Giradischi Svizzeri a Puleggia — Guida Completa al Vintage Audiofilo</title>
		<link>https://www.quotidianoaudio.it/news/giradischi/lenco-storia-modelli-e-segreti-dei-giradischi-svizzeri-a-puleggia-guida-completa-al-vintage-audiofilo/</link>
		
		<dc:creator><![CDATA[Mauro Scarabotti]]></dc:creator>
		<pubDate>Wed, 17 Jun 2026 04:09:43 +0000</pubDate>
				<category><![CDATA[Guide]]></category>
		<category><![CDATA[Vintage]]></category>
		<category><![CDATA[Giradischi]]></category>
		<category><![CDATA[DIY audiofilo]]></category>
		<category><![CDATA[L75 modding]]></category>
		<category><![CDATA[Lenco vintage]]></category>
		<category><![CDATA[giradischi a puleggia]]></category>
		<category><![CDATA[idler drive]]></category>
		<guid isPermaLink="false">https://www.quotidianoaudio.it/?p=102081</guid>

					<description><![CDATA[Guida completa ai giradischi Lenco vintage: storia del marchio svizzero, confronto tra L70, L75, L77, L78, L85 e modelli rari. Tecnologia idler drive, PRaT e il mondo del modding audiofilo.]]></description>
		
		
		
			</item>
		<item>
		<title>Stai collegando male il tuo preamplificatore? Tutti gli errori nascosti nel pannello posteriore. Guida completa ai connettori analogici e digitali</title>
		<link>https://www.quotidianoaudio.it/news/preamplificatori/stai-collegando-male-il-tuo-preamplificatore-tutti-gli-errori-nascosti-nel-pannello-posteriore-guida-completa-ai-connettori-analogici-e-digitali/</link>
		
		<dc:creator><![CDATA[Mauro Scarabotti]]></dc:creator>
		<pubDate>Sat, 13 Jun 2026 05:54:52 +0000</pubDate>
				<category><![CDATA[Guide]]></category>
		<category><![CDATA[Preamplificatori]]></category>
		<category><![CDATA[AES/EBU]]></category>
		<category><![CDATA[DIN]]></category>
		<category><![CDATA[RCA]]></category>
		<category><![CDATA[S/PDIF]]></category>
		<category><![CDATA[USB audio]]></category>
		<category><![CDATA[alta fedeltà]]></category>
		<category><![CDATA[amplificatore]]></category>
		<category><![CDATA[audiofilia]]></category>
		<category><![CDATA[coassiale]]></category>
		<category><![CDATA[connessioni bilanciate]]></category>
		<category><![CDATA[connessioni sbilanciate]]></category>
		<category><![CDATA[connettori audio]]></category>
		<category><![CDATA[guida hi-fi]]></category>
		<category><![CDATA[hdmi arc]]></category>
		<category><![CDATA[hi-fi]]></category>
		<category><![CDATA[home audio]]></category>
		<category><![CDATA[impianto stereo]]></category>
		<category><![CDATA[ingresso phono]]></category>
		<category><![CDATA[ottico]]></category>
		<category><![CDATA[preamplificatore]]></category>
		<category><![CDATA[riaa]]></category>
		<category><![CDATA[toslink]]></category>
		<category><![CDATA[xlr]]></category>
		<guid isPermaLink="false">https://www.quotidianoaudio.it/?p=102040</guid>

					<description><![CDATA[Phono, RCA, XLR, Toslink, USB, AES/EBU: guida tecnica completa a tutti gli ingressi e le uscite di un preamplificatore audio moderno. Capire la differenza tra analogico e digitale, bilanciato e sbilanciato, per ottenere il massimo dal proprio impianto hi-fi.]]></description>
		
		
		
			</item>
		<item>
		<title>Vinile Silenzioso: la Chimica delle Mescole Audiofile (SuperVinyl, Clarity, SRX) e i 10 Titoli da Non Perdere</title>
		<link>https://www.quotidianoaudio.it/news/vinili/vinile-silenzioso-la-chimica-delle-mescole-audiofile-supervinyl-clarity-srx-e-i-10-titoli-da-non-perdere/</link>
		
		<dc:creator><![CDATA[Mauro Scarabotti]]></dc:creator>
		<pubDate>Wed, 03 Jun 2026 04:21:21 +0000</pubDate>
				<category><![CDATA[Guide]]></category>
		<category><![CDATA[Vinili]]></category>
		<category><![CDATA[Acoustic Sounds]]></category>
		<category><![CDATA[Analogue Productions]]></category>
		<category><![CDATA[Clarity Vinyl]]></category>
		<category><![CDATA[Classic Records]]></category>
		<category><![CDATA[MoFi SuperVinyl]]></category>
		<category><![CDATA[Mobile Fidelity Sound Lab]]></category>
		<category><![CDATA[Music Matters Jazz]]></category>
		<category><![CDATA[NEOTECH]]></category>
		<category><![CDATA[PVC]]></category>
		<category><![CDATA[QRP]]></category>
		<category><![CDATA[Quality Record Pressings]]></category>
		<category><![CDATA[RTI]]></category>
		<category><![CDATA[SRX]]></category>
		<category><![CDATA[UHQR]]></category>
		<category><![CDATA[UltraDisc One-Step]]></category>
		<category><![CDATA[carbon black]]></category>
		<category><![CDATA[groove rush]]></category>
		<category><![CDATA[mescola vinilica]]></category>
		<category><![CDATA[noise floor]]></category>
		<category><![CDATA[surface noise]]></category>
		<category><![CDATA[vinile]]></category>
		<category><![CDATA[vinile audiofilo]]></category>
		<category><![CDATA[vinile riciclato]]></category>
		<category><![CDATA[vinile silenzioso]]></category>
		<category><![CDATA[vinile vergine]]></category>
		<category><![CDATA[virgin vinyl]]></category>
		<guid isPermaLink="false">https://www.quotidianoaudio.it/?p=102068</guid>

					<description><![CDATA[Scopri la chimica delle mescole audiofile per vinile — SuperVinyl, Clarity Vinyl e SRX — e perché eliminare il carbon black trasforma l'ascolto analogico. Con i 10 migliori titoli low-noise da ascoltare.]]></description>
		
		
		
			</item>
		<item>
		<title>Stereo 8: storia tecnica del formato che ha portato l&#8217;hi-fi in auto (e che si è autodistrutto)</title>
		<link>https://www.quotidianoaudio.it/guida/stereo-8-storia-tecnica-del-formato-che-ha-portato-lhi-fi-in-auto-e-che-si-e-autodistrutto/</link>
		
		<dc:creator><![CDATA[Mauro Scarabotti]]></dc:creator>
		<pubDate>Sat, 30 May 2026 05:20:00 +0000</pubDate>
				<category><![CDATA[Guide]]></category>
		<category><![CDATA[Vintage]]></category>
		<category><![CDATA[stereo 8]]></category>
		<category><![CDATA[vintage audio]]></category>
		<guid isPermaLink="false">https://www.quotidianoaudio.it/?p=102025</guid>

					<description><![CDATA[Storia tecnica dello Stereo 8: come funzionava la cartuccia che ha portato l'hi-fi in auto, perché tagliava i brani a metà e cosa l'ha condannata.]]></description>
		
		
		
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