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		<title>High End Vienna 2026: report (parte 2, Chord Company)</title>
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		<dc:creator><![CDATA[Giona Orlandi]]></dc:creator>
		<pubDate>Tue, 23 Jun 2026 04:02:00 +0000</pubDate>
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		<category><![CDATA[Acoustic Grove System]]></category>
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		<category><![CDATA[HIGH END Vienna 2026]]></category>
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		<category><![CDATA[Nihon Onkyo Engineering]]></category>
		<category><![CDATA[Ongaku Heritage]]></category>
		<category><![CDATA[Patrick Mitchell]]></category>
		<category><![CDATA[Sarum T]]></category>
		<category><![CDATA[Signature XL]]></category>
		<category><![CDATA[Taylon]]></category>
		<category><![CDATA[alta fedeltà]]></category>
		<category><![CDATA[cavi diffusori]]></category>
		<category><![CDATA[cavo prototipo Chord]]></category>
		<category><![CDATA[chord company]]></category>
		<category><![CDATA[diffusori Sumire]]></category>
		<category><![CDATA[geometria ARAY]]></category>
		<category><![CDATA[giradischi Ginga]]></category>
		<category><![CDATA[onde stazionarie]]></category>
		<category><![CDATA[single-ended]]></category>
		<category><![CDATA[trattamento acustico]]></category>
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					<description><![CDATA[Alla HIGH END Vienna 2026 Chord svela un cavo prototipo che cambia paradigma, mentre Kondo con Acoustic Grove System dimostra quanto pesi davvero l'ambiente.]]></description>
		
		
		
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